The Daniel Daily · 김송재 뉴스

PROFILE

인물탐구
Thursday, July 23, 2026 · No. 204Weather: Los Angeles: Clear night · 69°F · H 94° / L 66°
PROFILE · 인물탐구 · FILE 01

The 800-Meter Kid
Who Went Long

Comfortable
being uncomfortable.

34.05°N 118.24°W · LOS ANGELES
Daniel racing near the front of a cross-country pack, bib 8146
▲ Bib 8146, near the front. Cross country, senior year.
PROFILE DOSSIER신상명세
Sport 종목
Cross country & track
Events 세부
800m · 4×400m relay
800m best 팔백
2:00
400m best 사백
0:51
Latest race 최근
LA Marathon
Off-hours 여가
Gym · Camera · Guitar · Poker

Before the résumé and the repositories, I was a runner. I came up through high-school cross country and settled on the 800, two laps that hurt in a specific way, decided in the last 200 when everyone’s legs are gone. My best is a flat 2:00. Over 400 I ran 51 seconds, fast enough to matter on the 4×400, where I took the leg we needed closed.

None of that was a straight line. In eighth grade I broke my leg, a clean snap of both the tibia and fibula, and spent months off it before I could jog, let alone race. Coming back taught me a patience the track never had to.

Two minutes.
All negotiation.

The 800 is a strange distance: too long to sprint, too short to think, so you spend the whole thing arguing with the part of you that wants to slow down. You learn to sit on a shoulder, to keep one gear back for the final straight. I got more out of those two minutes than out of most things I did in school.

So it made a certain sense to eventually go the other way and run the LA Marathon. Twenty-six miles asks a different question. It cares less about how much you can hurt and more about how long you can hold a steady pace, and I found my answer around mile twenty. The track was just the start of a longer habit of not sitting still: triathlon training now, the gym most mornings, pickup volleyball, and a climbing wall whenever I can get to one.

Daniel sprinting on the track under the lights
▲ The open 800, under the lights.
Daniel mid-race in a cross-country singlet
Out front, and paying for it later.
800M · 2:00    400M · 0:51    26.2MI · FINISHED
PASSPORT · 4 REGIONS · 20 CITIES ON FILE

When there’s time and a flight I can justify, I go looking for somewhere new. Most of the film I shoot comes back from these trips, which is half the reason I go. A place looks different when you’re trying to photograph it. Japan is the one I keep returning to; the rest I’m still working through.

Japan 일본

6 filed
TokyoOsakaKyotoNaraKobeHakone

Korea 한국

4 filed
SeoulBusanIncheonJeju

Europe 유럽

4 filed
ParisLondonDublinEdinburgh

United States 미국

6 filed
CaliforniaNevadaArizonaTexasFloridaHawaii
A red torii gate over the water at night, Hakone
箱根 · Hakone, after dark.
Moonlit lake and shrine at night, Japan
芦ノ湖 · A borrowed moment by the lake.
Night long-exposure at a shrine gate, Japan
神社 · Long exposure, steadier than I felt.
Under the lanterns in London's Chinatown
倫敦 · Chinatown, London.
Playing guitar on a rock wall with mountains behind
▲ The guitar I keep threatening to get good at.
Playing guitar on a ridge at dusk over the mountains
Above the marine layer, no audience.
♠ ALL IN · POKER NIGHT · NO LIMIT

Back home the camera comes out, mostly film, one roll at a time. Thirty-six frames is a good cure for taking a thousand lazy photos. The rest of the week gets split between a chessboard, a guitar I’m still arguing with, and a poker night I take more seriously than I probably should.

And there’s always a controller within reach: Valorant and League with friends, Smash and Mario Kart in the room, and Elden Ring and the rest of the Souls games for the nights I want to lose to a boss on purpose.

More on the running, the photographs, and whatever I build next as it happens. Coffee proposals welcome through the directory below.